Sound Recording Solutions
Sound Card Recorder
Powerful voice activated microphone recorder for Windows. Click here to learn more.Analog-to-digital Converter
An analog-to-digital converter (abbreviated ADC, A/D, or A to D) is a device that converts continuous signals to discrete digital numbers. The reverse operation is performed by a digital-to-analog converter (DAC). The analog signal is continuous in time and it is necessary to convert this to a flow of digital values. It is therefore required to define the rate at which new digital values are sampled from the analog signal. The rate of new values is called the sampling rate or sampling frequency of the converter. A continuously varying bandlimited signal can be sampled (that is, the signal values at intervals of time T, the sampling time, are measured and stored) and then the original signal can be exactly reproduced from the discrete-time values by an interpolation formula. The accuracy is however limited by quantization error. However, this faithful reproduction is only possible if the sampling rate is higher than twice the highest frequency of the signal. This is essentially what is embodied in the Shannon-Nyquist sampling theorem. Since a practical ADC cannot make an instantaneous conversion, the input value must necessarily be held constant during the time that the converter performs a conversion (called the conversion time). An input circuit called a sample and hold performs this task-in most cases by using a capacitor to store the analogue voltage at the input, and using an electronic switch or gate to disconnect the capacitor from the input. Many ADC integrated circuits include the sample and hold subsystem internally. Typically, an ADC is an electronic device that converts a voltage to a binary digital number. However, some non-electronic devices, such as shaft encoders, can be considered as ADCs. All ADCs work by sampling their input at discrete intervals of time. Their output is therefore an incomplete picture of the behaviour of the input. There is no way of knowing, by looking at the output, what the input was doing between one sampling instant and the next. If the input is known to be changing slowly compared to the sampling rate, then it can be assumed that the value of the signal between two sample instants was somewhere between the two sampled values. If, however, the input signal is changing fast compared to the sample rate, then this assumption is not valid. If the digital values produced by the ADC are, at some later stage in the system, converted back to analog values by a digital to analog converter or DAC, it is desirable that the output of the DAC be a faithful representation of the original signal. If the input signal is changing much faster than the sample rate, then this will not be the case, and spurious signals called aliases will be produced at the output of the DAC. The frequency of the aliased signal is the difference between the signal frequency and the sampling rate. For example, a 2 kHz sinewave being sampled at 1.5 kHz would be reconstructed as a 500 Hz sinewave. This problem is called aliasing. To avoid aliasing, the input to an ADC must be low-pass filtered to remove frequencies above half the sampling rate. This filter is called an anti-aliasing filter, and is essential for a practical ADC system. Although aliasing in most systems is unwanted, it should also be noted that it can be exploited to provide simultaneous down-mixing of a band-limited high frequency signal (see frequency-mixer). In A to D converters, performance can be improved using dither. This is a very small amount of random noise (white noise) which is added to the input before conversion. Its amplitude is set to be about half of the least significant bit. Its effect is to cause the state of the LSB to randomly oscillate between 0 and 1 in the presence of very low levels of input, rather than sticking at a fixed value. Rather than the signal simply getting cut off altogether at this low level (which is only being quantized to a resolution of 1 bit), it extends the effective range of signals that the A to D converter can convert, at the expense of a slight increase in noise - effectively the quantization error is diffused across a series of noise values which is far less objectionable than a hard cutoff. The result is an accurate representation of the signal over time. A suitable filter at the output of the system can thus recover this small signal variation. An audio signal of very low level (w.r.t. the bit depth of the ADC) sampled without dither sounds extremely distorted and unpleasant. Without dither the low level always yields a '1' from the A to D. With dithering, the true level of the audio is still recorded as a series of values over time, rather than a series of separate bits at one instant in time. A virtually identical process, also called dither or dithering, is often used when quantizing photographic images to a fewer number of bits per pixel - the image becomes noisier but to the eye looks far more realistic than the quantized image, which otherwise becomes banded. This analogous process may help to visualize the effect of dither on an analogue audio signal that is converted to digital. Dithering is also used in integrating systems such as electricity meters. Since the values are added together, the dithering produces results that are more exact than the LSB of the analog-to-digital converter. Usually, signals are sampled at the minimum rate required, for economy, with the result that the quantization noise introduced is white noise spread over the whole pass band of the converter. If a signal is sampled at a rate much higher than the Nyquist frequency and then digitally filtered to limit it to the signal bandwidth, the signal-to-noise ratio due to quantization noise will be lower than if the whole available band had been used. With this technique, it is possible to obtain an effective resolution larger than that provided by the converter alone. ADCs are integral to much current music reproduction technology, since much music production is done on computers; even when analog recording is used, an ADC is still needed to create the PCM data stream that goes onto a compact disc. The current crop of AD converters utilized in music can sample at rates up to 192 kilohertz. Many people in the business consider this an overkill and pure marketing hype, due to the Nyquist-Shannon sampling theorem. Simply put, they say the analog waveform does not have enough information in it to necessitate such high sampling rates, and typical recording techniques for high-fidelity audio are usually sampled at either 44.1 kHz (the standard for CD) or 48 kHz (more typical for computer use). However, this kind of bandwidth headroom allows the use of cheaper or faster anti-aliasing filters. AD converters for musical purposes come in a variety of price ranges - from under $100 to over $10,000 for 2 channels or inputs.
Phone Call Recorder
Must have software for voice modem. Record all phone calls automatically, watch Caller ID information, create you own powerful answering machine. Perfect sound quality. Click here to learn more.3d audio effect - 3gp - a-law - aac - acm - adc - aiff - aliasing - amplifier - amr-wb - amr-wb plus - amr - apev2 tag - asf - atrac - audio codec - audio compression - avi - bitrate - bitrate peeling - chord - codec - comfort noise - compact audio cassette - compact disc - compression - compression artifact - compression ratio - contact microphone - container format - dab - data compression - digital audio - digital camera - divx - dolby digital - dolby digital plus - dsp - dvd-audio - dvd - effects unit - equalization - ffmpeg - flanging - fourcc - frequency spectrum - hi-fi - high-end audio - hiln - id3 - joint stereo - laser microphone - line level - lossy - loudspeaker - matroska - mcf - microphone - midi - mixing console - mp2 - mp3 - mp3 surround - mp3 sx - mp3pro - mp4 - mpeg-1 - mpeg-21 - mpeg-3 - mpeg-4 - mpeg-7 - mpeg - mu-law - musepack - music - mxf - nut - osm - parabolic microphone - pcm - perception - phonograph - pink noise - pqf - psychoacoustics - qdesign - quadraphonic - radio receiver - ratdvd - realaudio - red noise - reverberation - rhythm - ribbon microphone - riff - rmvb - sbr - signal processing - sound - sound card - sound effects - sound recording - spdif - speech encoding - speech recognition - speex - stereo - subwoofer - surround sound - synthesizer - tape recorder - tdm - tweeter - video - video compression - vob - voice analysis - vorbis - wav - white noise - wma - woofer